Sunday, 23 April 2017
Saturday, 15 April 2017
Friday, 14 April 2017
Film Distribution And Marketing- Teaser And Official

These two images show the teaser poster (left) and the official poster (right) for the recent 2014 mystery horror thriller film Annabelle. In both cases, the poster hardly gives anything away from the film. The only subject appears to be the same sinister appearing doll. As the films name is 'Annabelle' which is also a commonly known girls name, it leads the audience to believe that this is the name of the doll in the posters. In the teaser poster, the doll appears to be crying blood which gives the impression she is evil. This means that although the posters do not give any information on the actual story line of the film, they clearly show that it must focus mainly around this evil, and perhaps possessed, doll. Although both posters give us the same information about the film, the official one includes credits, letting us know it is the main poster.
Official Trailer
The two trailers for Annabelle focus around the same concept that she is possessed.However, the teaser trailer shows more on the back story of the doll, and how it became the 'Evil' state that it is, where as the official trailer shows more of the actual story line, and the main characters living with the possessed doll.
For example, the teaser trailer shows how the neighbors of the main characters got murdered, and then how the main characters themselves almost get murdered in the same way. Although the official trailer does touch on this, it does not show t in as much detail as the teaser trailer. It then goes on to show how the dolls presence in the house greatly disrupts the family, in seemingly horrific and scary ways.
Both the trailers and the posters include the line 'Before The Conjuring,.. There was Annabelle'. This is to show that film Annabelle is a spin off of the massively successful 2013 film 'The Conjuring' and it is also being used as a marketing scheme to get people who are fans of 'The Conjuring' interested in this film as well.
The use of the trailers and posters, together with the already large interest from fans of 'The Conjuring', the main distributors, The Warner Brothers, were able to attract a lot of attention to 'Annabelle'. The film was opened to the USA in the first weekend, with 3,185 screens showing it. It was later shown worldwide, making it a world known success.
Thursday, 13 April 2017
Wednesday, 12 April 2017
The Crazies- Film Analysis
The Crazies
Although
The Crazies does have many features of the Classic Hollywood Structure, it is
difficult to say exactly if it does actually follow Todorovs theory. This is
because although the film essentially begins with the baseball game, and ends
with David and Judy walking towards the new town, the first scene that is
actually shown is houses burning and an abandoned and destroyed Ogden Marsh.
Although initially the audience is not aware of what caused the fire, or
created this apocalyptic feel that this scene gives, the text displayed shows ‘2
days earlier’ before the film starts from the beginning, and half way through
the film the same scene is shown again, only this time, it is shown chronologically
with the rest of the film. Furthermore, we later find out that the actual
beginning of the story told in the film, began when the governments plane
crashed into the towns water supply. Although this is not seen in the movie itself,
its apparent that this is the sole reason behind the main aspect of the story line.
In relation to Propp’s character roles, the obvious Hero in
The Crazies, is the town Sheriff, David. Even the role of the town’s Sheriff,
shows responsibility and admiration from the people of the town, who he is
there to protect. The survival of the sheriff whilst also protecting his wife
along the way means that his wife Judy can be seen as the princess. Throughout
the film Judy needs Davids help, amplified by the fact that she is pregnant.
Directed
by Breck Eisner, The Crazies is an American science fiction horror film. The
film was created as a remake of the original 1973 version which was directed by
George A. Romero. Although the 2010 version uses modern CGI and technology, the
narrative structure of both films is similar and they roughly share the same
storyline. The film is based in, Ogden Marsh, Iowa, which is described in the
film as ‘The friendliest place on earth’. A toxic Trixie disease spreads
through the town, turning the townsfolk into barbaric zombie like beings. The disease
causes physical, as well as mental decay, creating a predator out of its
consumer, triggering instincts of death, and the urge to kill their neighbours
and family. The town’s sheriff, David (Timothy Olyphant) and his community
doctor wife, Judy (Radha Mitchell) battle through the spread of the infectious toxin,
along with the sheriffs deranged deputy Russell Clank (Joe Anderson) and the
film follows their tragic escape, and their realization of the accidental
government plane crash which was responsible for the contagious virus. Although
it is not actually visible within the movie, we soon find out the plane crashed
into the main water source of the town, contaminating the water supply with the
chemical that was released from the crash. This means that when the residents
consume the water, they are also consuming the Trixie virus. The government
demands the army to create an incubation perimeter for the citizens of Ogden
Marsh, and they are separated into clean, and infected areas. The Crazies
undergoes many iconic gore and death scenes, until the very end, when we see
David and Judy travel to the next town, only to then find out the virus has
spread further than one town.
The
Crazies generated an estimated $50 million by May 2010, and was given good
reviews at the box-office. The film’s target audience would be, those who enjoy
horror, however, as it focuses on a zombie/science subgenre, it could focus on
a younger teenage audience. On the other hand, the younger potential teenage audience could
be challenged, as the film was given an 18 rating due to the graphic and sexual
scenes it includes.
Bulgarian
structuralist Tzvetan Todorov came up with the Classic Hollywood Narrative
theory. This is a narrative that is shared amongst most American films. He
determined that most films start with an equilibrium, which is a normal
calmness, until an event disrupts it and causes a chain of events to called the
disequilibrium. At the end everything is resolved, and a new equilibrium is
created. This was labelled The Classic Hollywood Narrative/Structure (CHN).
Although
The Crazies does have many features of the Classic Hollywood Structure, it is
difficult to say exactly if it does actually follow Todorovs theory. This is
because although the film essentially begins with the baseball game, and ends
with David and Judy walking towards the new town, the first scene that is
actually shown is houses burning and an abandoned and destroyed Ogden Marsh.
Although initially the audience is not aware of what caused the fire, or
created this apocalyptic feel that this scene gives, the text displayed shows ‘2
days earlier’ before the film starts from the beginning, and half way through
the film the same scene is shown again, only this time, it is shown chronologically
with the rest of the film. Furthermore, we later find out that the actual
beginning of the story told in the film, began when the governments plane
crashed into the towns water supply. Although this is not seen in the movie itself,
its apparent that this is the sole reason behind the main aspect of the story line.
The film
is approximately 100 minutes, and although the story or narrative is about 3
weeks long, we can only see 3 days of this story. So originally, The Crazies
does not appear to follow the Classic Narrative Structure. However, if you changed
the order that some scenes of the film are viewed, it does. If the film did not
start with the burning town scene, but went straight into the baseball game,
the equilibrium at the start would have clearly been the baseball game. The
disruption would have then been the unusual behavior of Rory Hamill whilst he
was holding a shotgun. As more and more people become infected, David and Judy
escaping the town becomes the new equilibrium. However, for the effect of
irony, the infection turns out to have traveled to this next town. This
manipulating of the CHN is what earned The Crazies it’s positive rating, although,
not abiding by the CHN, can be risky, with a disjointed narrative. Overall, The
Crazies does not exactly follow Todorovs narrative theory, but there are
aspects linking to the Classic Hollywood Structure.
This could link in with the cause and effect theory by Bordwell
and Thompson, which outlines the set duration, in terms of screen time, plot
time and the story time of a film. The storyline duration of The Crazies is much
longer than what we are able to see. However, the 33 days shown for the plot
duration is only located towards the end of the timeline, with the previous
important events, being the plane crash. not shown on film. This has a massive
impact on the narrative that the audience sees, as from the audience’s point of
view, the plot begins when the first town resident Rory getting the virus from
the contaminated water.
Claude Levi-Strauss determined that all narrative structures
include binary oppositions, which are two opposites where one is always valued
as higher than the other. In The Crazies, there is many clear binary
oppositions including Sanity v Insanity. The sanity here, is the survivors and
the people that are un-infected yet are of the virus outbreak. Insanity, is the opposite of this, the people
who are infected by the virus and have allowed their minds to become controlled
by a predators urge to kill. A clear example of this insanity can be seen when
the local farmer is locked in a jail cell, and he appears to have fits and spasm’s,
showing the effects of the Trixie virus. Another binary opposition that can be
seen in The Crazies is simply Alive v Dead, with the routed for heroes staying
alive, and the other side, characters and citizens that have contracted the disease,
being dead emotionally and personality wise.
Another theory that The Crazies can follow is Vladimir Propp’s
character theory. Propp came up with 8 character types, after studying old
Russian folk tales.
In relation to Propp’s character roles, the obvious Hero in
The Crazies, is the town Sheriff, David. Even the role of the town’s Sheriff,
shows responsibility and admiration from the people of the town, who he is
there to protect. The survival of the sheriff whilst also protecting his wife
along the way means that his wife Judy can be seen as the princess. Throughout
the film Judy needs Davids help, amplified by the fact that she is pregnant.
The deputy Sheriff Russel Clark obtains the
donor character as he saves the Sheriff’s life “3 times” and then sacrifices
himself, to keep his dignity.
One of Propps characters that is hard to determine in The
Crazies is the role of the villain. Unlike the film Halloween (1978), in which
Michael Myers is the obvious only villain, The Crazies does not have a clear
individual villain, and there are many aspects to the film that could be
considered instead. One argument is that the government could be to blame, as
they failed to contain the carriers of the virus, and mistreated the townsfolk.
They are also to blame for the cover up of the plane crash, and This could be
the reason that the Trixie virus was able to spread at the speed it did. The
military can also be perceived as a villain in this film, with the vision of
them shooting an innocent boy and his mother, and then incinerating them
showing in inhumane quality. A third potential reason is the people who caught
the virus, who then turn into the zombie like killers. Even though this is not necessarily
the fault of the people themselves, as the virus makes them act like this, there
is still a substantial atmosphere of evil, and the responsibility for the barbaric
murders of family and friends.
Tuesday, 11 April 2017
Chosen Idea
The final chosen idea of our Horror Film Trailer is to create a trailer for a film that follows the lives of two people who become school shooters.
We decided to do this, not only because of the practicality of us already being in a college which will be used as the filming location whilst filming, but also because the main target audience for our horror film will most likely be teenagers and young adults. This audience will either be at school or college themselves, meaning they would be able to relate to the horror trailer, and put themselves in the shoes of the victims.
Our idea is to use props such as fake guns, together with different types of quick shots to create the look that the two shooters are shooting innocent students at the college, without giving too much of the overall plot away.
We decided to do this, not only because of the practicality of us already being in a college which will be used as the filming location whilst filming, but also because the main target audience for our horror film will most likely be teenagers and young adults. This audience will either be at school or college themselves, meaning they would be able to relate to the horror trailer, and put themselves in the shoes of the victims.
Our idea is to use props such as fake guns, together with different types of quick shots to create the look that the two shooters are shooting innocent students at the college, without giving too much of the overall plot away.
Monday, 10 April 2017
Initial Idea For Horror Trailer
Our Initial Idea
The initial idea for our horror movie trailer was to have a church as the main filming location. This was because churches and religion often play a large part in horror films that focus around the paranormal, or supernatural sub-genres.
The original plot idea was to use a group of teenagers who find an urban myth book hidden in their mums room, and discover a story about their local church. They then dare each other to spend the night at this church, and they find out that it has been abandoned since the death of a young girl who fell from the church tower in 1980.
They take their camera to the church which has a eerie sinister atmosphere too it, and they meet a strange man who turns out to be the groundskeeper of the graveyard. He warns them to be careful but they do not listen.
During the night they spot figures in the graveyard and hear spooky voices. Things also start to appear out of no where.
The initial idea for our horror movie trailer was to have a church as the main filming location. This was because churches and religion often play a large part in horror films that focus around the paranormal, or supernatural sub-genres.
The original plot idea was to use a group of teenagers who find an urban myth book hidden in their mums room, and discover a story about their local church. They then dare each other to spend the night at this church, and they find out that it has been abandoned since the death of a young girl who fell from the church tower in 1980.
They take their camera to the church which has a eerie sinister atmosphere too it, and they meet a strange man who turns out to be the groundskeeper of the graveyard. He warns them to be careful but they do not listen.
During the night they spot figures in the graveyard and hear spooky voices. Things also start to appear out of no where.
Friday, 7 April 2017
Halloween- Film Analysis
Halloween
Halloween is a Slasher horror movie, filmed in the spring of 1978 and directed by
John Carpenter. The movie took only 21 days to film, and due to cutbacks such as the iconic soundtrack being repeated many times, the use of unheard of actors and the fact that the film didn’t include special effects or CGI it only cost 325,000 US dollars to create. Despite
this, the film was incredibly successful, and went on to make a profit of 47 million
dollars.
It is often thought that Halloween was the start of the popular horror sub-genre that became known as 'Slasher', and that many famous and now iconic films such as Friday the 13th, Nightmare
on Elm Street and Prom Night are all loosely based on Halloween’s narrative
structure. However, its clear that the most recent Slasher genre films often base their filming and
narrative techniques on the Friday the 13th franchise. This is because they have such murderous
and graphic murder scenes. Eventually, the whole idea of the Slasher genre died
down slightly, until the Scream series began. This created a change from
Slasher, to the more modern Torture Porn sub-genre. Nevertheless, Halloween continues to
maintain its status as the starting point of slasher, and the slasher sub-genre
as well, meaning that its basic structure will continue to inspire slasher films in the 21st century.
Friday The 13th Halloween Nightmare Prom Night
on Elm
Street
The first few minutes of the film are set on October 31st
(Halloween) in 1963, where we see a 6-year old Michael Myers (played by Will
Sandin) savagely murder his teenage sister, Judith Myers (Played by Sandy
Johnson) with a large knife, after she partakes in sexual activity with her boyfriend. This type
of promiscuously ultimately results in her brutal and untimely death. This fundamentally
reflects the social attitudes and beliefs towards middle class girls at the time. It gives the indication that those who work hard are rewarded, compared to those who are involved with
things that are 'frowned upon', such as sex, alcohol and drug use, which shows a
strong link to death. After the murder, Michael is seen wearing his Halloween
costume, which is a clown. This almost forces the audience to think about the conventional innocence of a
child of that age, and plants the idea in the audiences mind, that what he did could have been an
accident.
The film
then creates a modern discourse for the audience, as it skips fifteen years in
to the future. It is now set on October the 30th 1978. We can see Michael
execute a well thought out plan, in order to escape from the mental hospital he
has spent the past 15 years in. The notability of the date (one day before
Halloween) is important, as its immediately known as one day before the
anniversary of his sister’s murder This,
disrupts the equanimity, as the escape releases Michael into the real world,
which causes intense havoc and manipulation. it is then that we first meet
Laurie Strode (Jamie Lee Curtis), a college student whom is being stalked by
the newly released Michael. After many strange sightings of this nightmarish
masked man, Laurie can be seen spotting Michael in her backyard and even
peering into her bedroom window. It then becomes apparent that it is Halloween
night, It seems as though Micheal wants to finish what he started, however the
motivations and intentions behind his reasons for this are kept a secret from
the audience, to maintain a sense of mystery, create tension, and to keep
things 'behind a mask' which is symbolized by the menacing mask that Micheal
wears.
Laurie is
babysitting when her friend drops off the child she is also supposed to be
babysitting, whilst on the way to pick up her boyfriend. Micheal is in the
neighborhood, and it is clear that he sees Annie as his first victim. Micheal
brutishly murders Annie in her car, and this is followed by the murder of
Laurie's other two friends Lynda and Bob who, like with Micheal's sister, were
involved in sexual activity. It is
apparent that these murders were not part of Micheal's initial plan, but rather
they were to make a clear path for him to reach is primary target, which is
Laurie. Micheal is seem entering her house, and attempting several times before
Micheal's doctor from the mental hospital he escaped from Dr. Loomis gets
involved, and shoots Micheal in the head and chest with a pistol. Micheal is
then seen falling off of the balcony, seemingly dead. Dr.
Loomis then takes a second look at Michael’s body. Michael is gone, and the
non-diegetic sound of his breathing is heard in the background. There is a shared
suspicion between both the characters and the audience that Michael could be
anywhere.
The
structure of Halloween can be seen as the Classic Hollywood Narrative theory by
Tzvetan Todorov. This theory is made up of five stages, making up the progress
of any narrative. First, is the state of calmness, known as equilibrium, this
calm creates the sense of safety, and stability. Then comes the disequilibrium,
which is the disruption in a narrative which is essentially the start of a
chain of events, that bring the narrative back to the steady calmness of the
equilibrium.
Although
with Halloween the equilibrium at the end can be seen as a different type of equilibrium
than the beginning, as part of the audience, we feel as if there is a more
positive out take than the previous disequilibrium. However, this theory is difficult to discuss in relation to Halloween, as its difficult to pinpoint when the disequilibrium occurred in the first place.
The
disruption could be argued when Michael escaping the mental hospital, sequentially creates the rest of
the film, without Michael escaping, the majority of the film wouldn’t of
happened. However, if we are going by the order of which things are seen within
the movie, it would be argued that Mike Myers murdering his sister back in
1963, was the disequilibrium as this could be seen as the event that makes
Michael Myers the murderous and psychotic character he is in the rest of the
film. if it wasn’t for the initial event of Michael murdering his sister, he
may not have gone to the asylum in the first place, meaning he may not have
targeted Laurie several years later. If it was seen as the mental hospital
escape being the disequilibrium, then Halloween abides by the Classic Hollywood
Narrative. There
seems to be a significant peace within the town, everyone appears to be living
their comfortable lives. Laurie is studying and there’s an excited hype in the
town, around the college’s future ball. The disruption to the equilibrium is
Michael Myers stealing a car in order to then escape the hospital in Smith’s
Grove right before he was meant to be taken to a court hearing. Upon his
escape, Dr Loofis warns several people about the escapee and the possible
dangers he can bring to Haddonfield, especially on the personally historic
occasion of Halloween for Myers. After multiple stalking occurrences, Laurie
realizes that this figure is a malignant to her and her friends. The events
that follow are the murders of her friends, all parts of the path to going back
to the calmness of before, meaning they have to kill or escape Mike Myers.
Eventually, Mike Myers is supposedly killed. This uncertainty of his death can
be seen a sequel bait, with the mystery of where Michael can be, it leaves the
audience on a cliff-hanger, maintaining this horror aspect of unknowing and suspense
in the audiences mind.
Another
theory that is successfully seen in Halloween is The Male Gaze, a theory by
Laura Mulvey. This is the idea that women are shown in a sexual or provocative way
in horror movies, and this is tailored specifically for the male audience’s
pleasure. In the case of Halloween, Laurie’s friends are often seen wearing
short skirts, crop tops and participating in sexual acts. This type of content
would satisfy a male-dominated audience, and they substantially support Mulvey’s
theory that woman displayed in a slightly sexualised manner will appeal to men.
Another theory is The Final Girl theory. This theory suggests that only the most masculine, respectful and cleverest girl will survive. In Halloween, Laurie is a strong example of a 'final
girl' as she is the only one of Micheal Myers victims that survives. The reason behind
Laurie’s survival is that she is a virginal, androgynous character. She is not
seen partaking in any sexual activities, and is portrayed in a masculine style. Often wearing more masculine clothing than her feminine friends. This is shown when Laurie cancels her date to the ball, as she is not interested. This reflects the ideology that Laurie isn’t promiscuous, and instead values her education more.
Laurie survives the movie purely because she doesn’t have sex, young teens in the 1970’’s were
experimenting with sex, and this was frowned upon by the older generation, who strongly believed that education should be thought of highly before sex. As a result,
Halloween reflects a “reactionary sexual agenda”, meaning that those who have
sex are killed, keeping the connection between sex and death strong. Laurie’s
friends Annie, bob and Lynda are a killed for their promiscuous actions, even though they were just a distraction, and Laurie was the main target.
Wednesday, 5 April 2017
Monday, 3 April 2017
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